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TLR-2204044(LP)
$520.0PHILIP CATHERINE & NICOLAS FISZMAN
LIVE AT THE BERLIN JAZZBÜHNE FESTIVAL 1982SIDE A
Janet
Babel
Crystal BellsSIDE B
Petit Nicolas – Grand Nicolas
Air Power
End of August
Transvested ExpressPhilip Catherine, Guitar
Nicolas Fiszman, Guitar & Bass
With the kind authorization of the ArtistsRecorded at Volksbühne, Berlin Jazzbühne Festival, German Democratic Republic, 13.VI.1982
STEREO ℗ 1982 DRARemastered from the original analog tapes by ℗ & © 2023 THE LOST RECORDINGS
33 rpm Lacquer-cuts: Kevin Gray
Vinyl 180g pressed at Optimal Media, Germany
New tip-on gatefold printed in Italy
1st edition limited to 2000 copies, hand-numbered
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TLR-2203042(45RPM)
$520.0ARTURO BENEDETTI MICHELANGELI
RAVEL: PIANO CONCERTO IN G MAJOR, M. 83RECORD 1/45RPM
Ravel: Concerto for piano and orchestra in G major, M. 83
Allegramente
Adagio
Presto
Arturo Benedetti Michelangeli, piano
Sergiu Celibidache, conductor
London Symphony OrchestraRecorded at the Royal Festival Hall, London, 8.IV.1982
STEREO ℗ 1982 BBCRemastered by ℗ & © 2022 The Lost Recordings
Made and printed in GermanyRemastered from the original analog tapes
Lacquer-cuts: Kevin Gray
Masters & Mothers: Quality Record Pressings
180g Single 45rpm vinyl album
1st Edition
Limited number of copies, hand-numbered : 2000
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TLR-2004037(2LPs)
$680.0Live At The Berlin Philharmonic 1969
SARAH VAUGHAN
|
RECORD 1A Lot of Livin’ to Do
And I Love Him
Alfie
On a Clear Day
Passing Strangers
Misty
I Cried for You
My Funny Valentine
All of Me
TenderlyRECORD 2
Fly Me to the Moon
Time After Time
The Trolley Song
By the Time I Get to Phoenix
The Sweetest Sounds
Polka Dots and Moonbeams
Day In, Day OutWhat Now, My Love
I Had a Ball
Didn’t we?Sarah Vaughan, Vocals
Johnny Veith, Piano
Gus Mancuso, Bass
Eddy Pucci, DrumsRecorded at Berlin Philharmonie
Berliner Jazztage, 9.XI.1969
MONO ℗ 1969 RBBRemastered by ℗ & © 2020 The Lost Recordings
Made and printed in GermanyRemastered from the original analog tapes
Lacquer-cuts: Kevin Gray
Masters & Mothers: Quality Record Pressings
180g 2-vinyl album
2nd editionCaravan
Satin DollDuke Ellington, Piano
Joe Benjamin, Bass
Quinten “Rocky” White Jr, Drums
Harold “Money” Johnson, Trumpet
Paul Gonsalves, Saxophone
Harry Carney, Baritone Saxophone, Clarinet*Duke Ellington, Piano, Leader
And his Orchestra, Featuring:
Cat Anderson, Cootie Williams, Mercer Ellington, Trumpet
Harold Ashby, Johnny Hodges, Paul Gonsalves, Russell Procope, Saxophone
Harry Carney, Baritone Saxophone, Clarinet
Rufus Jones, DrumsRecorded at the Berlin Philharmonic
Berliner Jazztage, 2.XI.1973
STEREO ℗ 1973 RBB*Recorded at the Berlin Philharmonic
Berliner Jazztage, 8.XI.1969
MONO ℗ 1969 RBBRemastered by ℗ & © 2022 The Lost Recordings
Made and printed in GermanyRemastered from the original analog tapes
Lacquer-cuts: Kevin Gray
Masters & Mothers: Quality Record Pressings
180g Single 33rpm vinyl album
1st Edition
Limited number of copies, hand-numbered: 2000
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TLR-2204041
$520.0DUKE ELLINGTON
LIVE AT THE BERLIN JAZZ FESTIVAL 1969-1973VINYL SIDE A
Piano Improvisation No. 1Take the “A” Train
Pitter Panther Patter
Sophisticated Lady
Introduction by Baby LaurenceTap Dance
SIDE B*
The Most Beautiful African
El Gato
I Can't Get Started
Caravan
Satin DollDuke Ellington, Piano
Joe Benjamin, Bass
Quinten “Rocky” White Jr, Drums
Harold “Money” Johnson, Trumpet
Paul Gonsalves, Saxophone
Harry Carney, Baritone Saxophone, Clarinet*Duke Ellington, Piano, Leader
And his Orchestra, Featuring:
Cat Anderson, Cootie Williams, Mercer Ellington, Trumpet
Harold Ashby, Johnny Hodges, Paul Gonsalves, Russell Procope, Saxophone
Harry Carney, Baritone Saxophone, Clarinet
Rufus Jones, DrumsRecorded at the Berlin Philharmonic
Berliner Jazztage, 2.XI.1973
STEREO ℗ 1973 RBB*Recorded at the Berlin Philharmonic
Berliner Jazztage, 8.XI.1969
MONO ℗ 1969 RBBRemastered by ℗ & © 2022 The Lost Recordings
Made and printed in GermanyRemastered from the original analog tapes
Lacquer-cuts: Kevin Gray
Masters & Mothers: Quality Record Pressings
180g Single 33rpm vinyl album
1st Edition
Limited number of copies, hand-numbered: 2000
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TLR-1604023(2LP
$680.0OSCAR PETERSON TRIO
LIVE AT THE CONCERTGEBOUW 1961DOUBLE VINYL
RECORD 1
Announcement by Norman Granz
Softly, as in a Morning Sunrise
Band CallCon Alma
Politics and PokerRECORD 2
Where Do I Go From Here
I Remember CliffordIt Ain’t Necessarily So
ChicagoOscar Peterson, Piano
Ray Brown, Bass
Ed Thigpen, DrumsRecorded at the Concertgebouw, Amsterdam
18.II.1961
MONO ℗ 1961 VARA
Remastered by ℗ & © 2016 FONDAMENTA
Made and printed in GermanyRemastered from the original analogue tapes
Lacquer-cuts: André Perriat
180g 2-vinyl album
2nd Edition
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TLR-2203040(2LP
$680.0HENRYK SZERYNG
THE UNRELEASED BERLIN STUDIO RECORDINGSDOUBLE VINYL
RECORD 1 (45 RPM)
Bach: Partita for solo violin No. 2 in D minor, BWV 1004Allemanda
Corrente
Sarabanda
GigaCiaccona
RECORD 2 (45 RPM)
Franck: Sonata for violin and piano in A major, FWV 8
Allegretto ben moderato
Allegro-Quasi lento-Tempo primoRecitativo-Fantasia
Allegretto poco mossoHenryk Szering, violin
*Recorded in Studio III, RBB, Berlin, 19.IV.1963
MONO ℗ 1963 RBB
Marinus Flipse, piano
**Recorded in Studio III, RBB, Berlin, 27.IV.1962
MONO ℗ 1962 RBB
Günther Ludwig, piano Remastered by ℗ & © 2022 THE LOST RECORDINGS
Made and printed in GermanyRemastered from the original analog tapes
Lacquer-cuts: Kevin Gray
180g 2-vinyl album
Masters & Mothers: Quality Record Pressings
1st edition, numbered to 1000 copies
Printed & Pressed in Germany
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TLR-1704027V(2L
$680.0Ella Fitzgerald (2 LPs)
On 10 February 1961 at the Concertgebouw in Amsterdam, just one year after her famous concert in Berlin, Ella Fitzgerald once again found herself in front of a full house. After a sober introduction of the musicians by Norman Granz, Ella Fitzgerald took the stage. With the freshness of the eternal, slightly cheeky little girl, she propels herself with one note into the rhythm of ‘Too Close for Comfort’. Her voice settles, she holds her audience by the hand, gently, surely. Ella takes the stage as if she were in her living room. She welcomes each spectator as a privileged guest. Each song is a glass of champagne that she offers with grace. Sometimes melancholic, sometimes playful, most of the time laughing, dynamic and catchy. “Hilariously inventive Ella! As Bing Crosby once said: “Man, woman or child, Ella is the greatest of them all”.
RECORD 1
Introduction by Norman Granz
Won’t you please let me in
Too close for comfortOn a slow boat to china
How long has this been going on ?
Heart and soul
You’re driving me crazy
That old black magic
Lower come back to meRECORD 2
My funny valentine
I’ve got a crush on you
LoreleiMr. Paganini
Mack the knife
Saint louis bluesElla Fitzgerald, Vocals
Lou Levy, Piano
Herb Ellis, Guitar
Wilfred Middlebrooks, Bass
Gus Johnson, Drums
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TLR-1804034V(2L
$680.0On the evening of November 29th 1958, on the stage of the Kurhaus in Scheveningen, when Art Blakey grabs the microphone to say “I would like to take a moment and say good evening on behalf of the Jazz Messengers and myself”, everyone knows that he is living a historic moment. Pianist Bobby Timmons has just created the iconic “Moanin'” and saxophonist Benny Golson the famous “Along Came Betty”, which the Jazz Messengers mix with compositions by their illustrious companions, Thelonious Monk, Charlie Parker and Dizzy Gillespie. The essence of world jazz is on stage, and is taken up again on this edition forgotten until today.
RECORD 1
Introduction by Art Blakey
Moanin’.
Announcement by Art Blakey
Along Came Betty
Announcement by Art Blakey
Evidence/JusticeRECORD 2
Just by Myself
Announcement by Art Blakey
I Remember Clifford
Announcement by Art Blakey
Now Is the Time
Announcement by Art BlakeyWhisper Not
Night in Tunisia
Art Blakey, Drums
Lee Morgan, Trumpet
Benny Golson, Tenor Saxophone
Bobby Timmons, Piano
Jymie Merritt, Bass
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TLR-1704025V(2L
$680.0Dave Brubeck (2LPs)
At the time of one of their last concerts in 1967, the Dave Brubeck Quartet had already been in existence for 16 years, in more or less the same formation. That’s how well the four of them know each other! It was at the Black Hawk night club in San Francisco that Dave and Paul made their debut. Their trademark: to break down racial barriers against which they will fight without restraint, even in the most extreme period of McCarthyism, and to make jazz accessible to the greatest number of people, by revisiting ballads, popular songs or great themes of classical music. But above all, they developed an almost infinite variety of complex rhythms. In Scheveningen, on the evening of 24 October 1967, the Dave Brubeck Quartet was more than just a jazz band. He was the ambassador of American music in Europe.
RECORD 1
Three to Get ReadyLa Paloma Azul
Cielito Lindo
Swanee River
Forty DaysRECORD 2
Blues for Joe
Rough Old ManTake Five
Someday My Prince Will ComeDave Brubeck, Piano
Paul Desmond, Saxophone
Eugene Wright, Bass
Joe Morello, Drums
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TLR-1604022V(2L
$680.0SARAH VAUGHAN
LIVE AT LAREN 1975 (2LPs)First publication of this unreleased concert. August 5, 1975: Sarah Vaughan is chosen to open the famous Jazz Festival in Laren, a small village near Amsterdam. She slips in among her musicians, including Bob Magnusson, Jimmy Cobb, Miles Davis's drummer, and Carl Schroeder, her pianist who has accompanied her for more than 20 years. At 51, not only does the “Divine” use the full range of her voice to sail from the roughest bass to the most scintillating highs, but she smiles, grasps the slightest emotion, seeks communion with each spectator as if he or she were unique, as if she were singing only for him.
RECORD 1
The Man I Love
I Got It Bad (And That Ain't Good)
Watch What HappensRound Midnight
The Lamp Is Low
“Introduction” Body HeatEverything Must Change
On a Clear Day (You Can See Forever)RECORD 2
Lover Man
Sarah's BluesWhat Are You Doing the Rest of Your Life
There Will Never Be Another You
Medley: It's Magic, My Reverie, Body and Soul, Moonlight in Vermont
TenderlySarah Vaughan, Vocals
Carl Schroeder, Piano
Bob Magnusson, Bass
Jimmy Cobb, Drums
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AMSTERDAM1976(2LP)
$650.0Emil Gilels
THE UNRELEASED RECITALS AT THE CONCERTGEBOUW
“In June 2017, when I have to perform in Moscow, I meet Kirill Gilels, grandson of the famous pianist Emil Gilels. He has listened to what our Phoenix Mastering restoration process can accomplish and gives us a list of the years and locations of his grandfather’s unpublished recordings. In Berlin, Moscow, St. Petersburg, we discover a heritage that amazes us with the quality and consistency of Emil Gilels’ piano playing. We are undoubtedly facing one of the greatest musicians of the 20th century. It is finally in Amsterdam, thanks to the determination of Piet Tullenaar, that we manage to extract five recitals that the pianist gave between 1975 and 1980 at the Concertgebouw and which everyone had forgotten existed. As we audition the tapes one by one in the studio allocated to us, neither Piet Tullenaar, nor Michel Navarra, nor myself exchange a word. What a beauty!” F. D’Oria-Nicolas
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BERLIN1969(2LPS)
$650.0Sarah Vaughan
LIVE AT THE BERLIN PHILHARMONIE 1969It is at a very special moment in Sarah Vaughan’s life that this double recital, recorded on November 9, 1969 at the Berlin Philharmonie, takes place.
To everyone’s astonishment, this small, clumsy 45-year-old silhouette will sign that evening one of the most masterful stage performances of her career that could be captured by a recording. In almost two hours, she will silence all reticence by proving how much her approach to music remains eminently topical. Surrounded with an elegance as discreet as it is stimulating by a trio that is a past master in the art of understatement, free of mannerisms, still as virtuosic as ever, developing her vocal technique to the highest degree throughout her incredible range, between naturalness and sophistication, simplicity and refinement, Sarah Vaughan is astonishing. Sarah Vaughan resolutely favours sentimental melodies, making her warm, supple, suave and swinging voice the ultra-sensitive seismograph of the whole range of mixed feelings.Record 1
A Lot of Livin’ to Do
And I Love Him
Alfie
On a Clear Day
Passing Strangers
Misty
I Cried for You
My Funny Valentine
All of Me
TenderlyRecord 2
Fly Me to the Moon
Time After Time
The Trolley Song
By the Time I Get to Phoenix
The Sweetest Sounds
Polka Dots and Moonbeams
Day In, Day Out
What Now, My Love
I Had a Ball
Didn’t we?Sarah Vaughan, Vocals
Johnny Veith, Piano
Gus Mancuso, Bass
Eddy Pucci, DrumsRecorded at the Berlin Philharmonie
Berliner Jazztage, 9.XI.1969
MONO ℗ 1969 RBB
Remastered ℗ & © 2020 THE LOST RECORDINGSRemastered from the original analog tapes
Lacquer-cuts: Kevin Gray
Masters & Mothers: Quality Record Pressings
180g 2-vinyl album
Number of limited copies: 2000
Printed & Pressed in Germany
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